art

I create art because it challenges me and because I’m drawn to the process of turning ideas into something tangible. My inspiration comes from design, art, and architecture, but a lot of my work begins in my imagination and moves directly to the canvas or page. I enjoy exploring how different mediums change the outcome — the clean precision of digital illustration, the layered textures of watercolor or acrylic, or the stark impact of charcoal. Each one gives me a different way to express an idea, and I like shifting between them depending on what I want to explore.

Some of my projects focus on structure and visual order, like my Gestalt or Color Theory studies, while others lean more into atmosphere and emotion, such as the Horror Series or abstract character work. I’m equally interested in the clarity of design systems and the unpredictability of freeform painting. What connects everything I make is a desire to see how far I can push an idea — whether it’s experimenting with perception, playing with mood, or just letting a piece evolve without a set plan.

At its core, my practice is about curiosity and exploration. I don’t create to follow a strict formula or a single style; I create because I want to see where an idea can go and how different influences can shape it along the way.

art installation

This installation explored light, color, and movement through layered, laser-cut acrylic forms. Each disc was designed in Illustrator and precision cut with internal geometric patterns, then layered with colored film to shift and refract light. Suspended in space, the pieces were rotated, spun, and moved in front of a flashlight, projecting shifting, kaleidoscopic patterns across the walls.

The entire room was encased in reflective film, transforming the environment into a mirrored chamber that multiplied every light and shadow. The result was an immersive, ever-changing visual field.

View the full project

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